Tuesday, April 14, 2020
Hamlet Essays (2546 words) - English Drama, English Literature
  Hamlet      Hamlet is a play written by William Shakespeare that very   closely follows the dramatic conventions of revenge in Elizabethan   theater. All revenge tragedies originally stemmed from the Greeks, who   wrote and performed the first plays. After the Greeks came Seneca who   was very influential to all Elizabethan tragedy writers. Seneca who   was Roman, basically set all of the ideas and the norms for all   revenge play writers in the Renaissance era including William   Shakespeare. The two most famous English revenge tragedies written in   the Elizabethan era were Hamlet, written by Shakespeare and The   Spanish Tragedy, written by Thomas Kyd. These two plays used mostly   all of the Elizabethan conventions for revenge tragedies in their   plays. Hamlet especially incorporated all revenge conventions in one   way or another, which truly made Hamlet a typical revenge play.   ?Shakespeare's Hamlet is one of many heroes of the Elizabethan and   Jacobean stage who finds himself grievously wronged by a powerful   figure, with no recourse to the law, and with a crime against his   family to avenge.?   Seneca was among the greatest authors of classical tragedies   and there was not one educated Elizabethan who was unaware of him or   his plays. There were certain stylistic and different strategically   thought out devices that Elizabethan playwrights including Shakespeare   learned and used from Seneca's great tragedies. The five act   structure, the appearance of some kind of ghost, the one line   exchanges known as stichomythia, and Seneca's use of long rhetorical   speeches were all later used in tragedies by Elizabethan playwrights.   Some of Seneca's ideas were originally taken from the Greeks when the   Romans conquered Greece, and with it they took home many Greek   theatrical ideas. Some of Seneca's stories that originated from the   Greeks like Agamemnon and Thyestes which dealt with bloody family   histories and revenge captivated the Elizabethans. Seneca's stories   weren't really written for performance purposes, so if English   playwrights liked his ideas, they had to figure out a way to make the   story theatrically workable, relevant and exciting to the Elizabethan   audience who were very demanding. Seneca's influence formed part of a   developing tradition of tragedies whose plots hinge on political   power, forbidden sexuality, family honor and private revenge. ?There   was no author who exercised a wider or deeper influence upon the   Elizabethan mind or upon the Elizabethan form of tragedy than did   Seneca.? For the dramatists of Renaissance Italy, France and England,   classical tragedy meant only the ten Latin plays of Seneca and not   Euripides, Aeschylus and Sophocles. ?Hamlet is certainly not much like   any play of Seneca's one can name, but Seneca is undoubtedly one of   the effective ingredients in the emotional charge of Hamlet. Hamlet   without Seneca is inconceivable.?   During the time of Elizabethan theater, plays about tragedy   and revenge were very common and a regular convention seemed to be   formed on what aspects should be put into a typical revenge tragedy.   In all revenge tragedies first and foremost, a crime is committed and   for various reasons laws and justice cannot punish the crime so the   individual who is the main character, goes through with the revenge in   spite of everything. The main character then usually had a period of   doubt , where he tries to decide whether or not to go through with the   revenge, which usually involves tough and complex planning. Other   features that were typical were the appearance of a ghost, to get the   revenger to go through with the deed. The revenger also usually had a   very close relationship with the audience through soliloquies and   asides. The original crime that will eventually be avenged is nearly   always sexual or violent or both. The crime has been committed against   a family member of the revenger. ? The revenger places himself outside   the normal moral order of things, and often becomes more isolated as   the play progresses-an isolation which at its most extreme becomes   madness.? The revenge must be the cause of a catastrophe and the   beginning of the revenge must start immediately after the crisis.   After the ghost persuades the revenger to commit his deed, a   hesitation first occurs and then a delay by the avenger before killing   the murderer, and his actual or acted out madness. The revenge must be   taken    
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